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Atelier Insights #9: Linda Linko

Written by WWW Contemporary

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Time to read 1 min

The good energy from "cactuses, pots made by my sister, cheap stool with my favourite red shade, my kid’s drawings and random pieces of wood from Mexico".

"The fallen turkish youghurt can..."

WWW Contemporary: How would you describe your workspace, Linda?

Linda Linko: My workspace is my woman cave, and I absolutely love it here. Its located in an old 19th century theatre, where I often hear someone rehearsing opera, bump into performers in costume on the staircase, or get caught in the middle of a children’s dance group while taking out the trash. Sometimes I miss being surrounded by other artists, but I also feel cozy in this tiny old theatre and its delightful randomness. Sometimes I come here on weekends, not to work but just to hang out with my artworks and clear my thoughts. I feel complete here. My studio is now a bit more messy than usual, because I’m sketching on the floor.

Artist

Practice makes perfect

"I’m in a comfortable in-between phase when it comes to projects, taking time to allow new ideas and thoughts to form"

WWW Contemporary: What kind of materials and techniques you have been interested in lately, why?

Linda Linko: At the moment I’m re-inspired by watercolors. There’s something in their simplicity, airiness and a kind of naivety that really draws me in. Right now, I’m sketching and exploring, with the intention of continuing the process later with oil paints. To be honest, I’m not entirely sure where my artistic process is heading. I’m in a comfortable in-between phase when it comes to projects, taking time to allow new ideas and thoughts to form.

Artist

The BIG one!

WWW Contemporary: Do you notice a direct connection between the space and the creative thinking or the process of your working?

Linda Linko: Of course, everything affects everything and all is connected. I’m sensitive to spaces and atmospheres - I suppose all artists are. The space itself and light of course are the most important factors, but I also like to be around stuff that gives me good energy. For example : cactuses, pots made by my sister, cheap stool with my favourite red shade, my kid’s drawings and random pieces of wood from Mexico. I often describe my creative process as a round messy cloud rather than a linear one, and I think my studio reflects it.

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