Jan Anderzén is a multidisciplinary artist working with digital image processes, expanded drawing, and sound. His practice combines algorithmic systems, chance-based methods, and slow hand-made techniques such as mosaic and textile collage. Using custom-made digital tools, he builds new visual compositions from an evolving image bank that includes traditional handicraft patterns, nature motifs of early computer games, and photographic observations from everyday life.

His work explores tensions between order and chaos, wildness and domestication, and the sacred and the ordinary. Through repetition, variation, and rhythm, he creates images and music that feels both familiar and mysterious. Beneath the surface, the work often carries questions about technology, belief, and ways of being connected — to materials, to histories, and to something that feels just beyond clear definition.

He has exhibited widely in Finland and internationally, with presentations at venues such as Blank Forms (New York), Onassis Cultural Center (Athens), Mänttä Art Festival, Sorbus Gallery, Porvoo Art Hall, and Tampere Art Museum. He has performed at art institutions including MoMA PS1, CCA London, and ISSUE Project Room, as well as festivals such as Sonar, Roskilde, and Flow. His compositions have been performed at Helsinki Festival, Musiikin aika, and Tampere Biennale, and he has realized public artworks, including a permanent work for the Turtola tram stop in Tampere.